Film & Analog
Recreate the look of real film stocks — Kodak, Fuji, Polaroid and more.
Vintage
Warm sepia tones with lifted contrast. Classic analog look f…
Kodak
Punchy warm tones inspired by Kodak Portra. Rich shadows, go…
Fuji
Cool greens and crisp whites. Inspired by Fujifilm's classic…
Expired
The look of film left in a drawer too long. Faded, shifted, …
Disposable
High contrast and saturated — exactly like a disposable came…
Polaroid
Soft, slightly faded. The unmistakable look of a Polaroid On…
Kodak Gold
The budget classic. Kodak Gold's warm grain and punchy holid…
Kodak Ultramax
Ultramax's signature warm reds and vibrant greens. Summer in…
Kodak Colorplus
Budget Kodak with a slightly orange cast. Nostalgic and unpr…
Kodak Ektar
The sharpest grain, most vivid saturation of any Kodak stock…
Kodak Tri-X
The street photographer's film. Gritty grain and deep blacks…
Kodak T-Max
Fine grain black and white. Clinical precision, beautiful to…
Fuji 400H
Soft, pastel-leaning with a green-blue bias. Wedding photogr…
Fuji Pro 800Z
Low light warrior. Pushed grain and pastel skintones under t…
Fuji Superia
Japan's most popular consumer film. Clean, slightly green-sk…
Fuji Velvia
Slide film. Insane saturation. Blues and reds that burn thro…
Fuji Provia
Balanced slide film. Neutral bias with a slight cool precisi…
Fuji Acros
The finest grain B&W film ever made. Smooth midtones, silk s…
Ilford HP5
The go-to push film. Honest grain and classic tonal range.…
Ilford Delta
Delta's T-grain technology. Finer than HP5 with beautiful sm…
Ilford FP4
Medium speed, excellent sharpness. The portrait and landscap…
Ilford Ortho
Orthochromatic rendering. Blues go dark, skies become dramat…
Agfa Vista
Agfa's consumer stock. Slightly warm with lifted shadows and…
Agfa Portrait
Flattering pastel skintones with muted contrast. Made for pe…
Lomo 400
Lomography's signature cross-processed look. Oversaturated a…
Lomo 800
Pushed Lomo grain. Colours bleed, blacks crush. Maximum lo-f…
Cross Process
Slide film processed in C-41 chemistry. Colour casts shift u…
Slide Film
Reversal film rendered digitally. Deep blacks, vivid colour,…
CineStill 800T
Motion picture film respooled for still cameras. Halation gl…
CineStill 50D
Cinema stock in daylight. Fine grain, accurate colour, that …
Cinema 16mm
The format of indie cinema. Grainier, intimate, slightly war…
Cinema 8mm
Super 8 home movie. Heavy grain, faded saturation, and years…
Daguerreotype
Photography's first format. Silvery midtones and long-exposu…
Tintype
Dark and metallic. The portrait format of the American Civil…
Wet Plate
Collodion process. Deep shadows and a chemical irregularity …
Ambrotype
A lighter, cheaper alternative to the daguerreotype. Soft to…
Cyanotype
The blueprint process. Prussian blue tones. Botanical and ar…
Autochrome
The first colour process. Pointillist grain and muted, paint…
Hand Coloured
The pre-colour era technique of painting over B&W prints. Se…
Contact Print
Full-frame negative contact printed directly. Soft, grain-fo…
Overdeveloped
Pushed too far in developer. Blocked shadows, blown highligh…
Underdeveloped
Pulled from developer too early. Flat tones and washed-out h…
Pushed +2
Two stops underexposed, compensated in dev. Heavier grain, m…
Pushed +3
Three stops pushed. Almost abstract grain pattern. Available…
Pulled -1
One stop overexposed, pulled in dev. Lower contrast, smooth …
Double Exposure
Two exposures on one frame. Ghostly overlap of two different…
Light Leak
Film accidentally exposed to light. Warm flare flooding one …
Redscale
Film loaded backwards. Everything renders in reds, oranges, …
Camera Toss
Thrown during a long exposure. Abstract streaks of colour an…
Rewound
Film rewound and reshot. Ghostly double images from two sepa…
Halftone
The newspaper printing process. Bold contrast and a grid of …
Silver Gelatin
The standard darkroom print. Neutral black and white with fi…
Albumen Print
Egg-white coated paper. The dominant printing process of the…
Platinum Print
Warm black tones and exceptional shadow detail. The archival…
Palladium Print
Slightly warmer than platinum. Long tonal scale and exceptio…
Heavy Grain
Pushed grain to the front. Texture-first photography.…
Medium Grain
Visible but tasteful grain. Organic and honest.…
Tungsten Balanced
Daylight film shot under tungsten light. Everything shifts w…
Daylight Indoor
Tungsten film shot in daylight. Blues dominate. Slightly sci…
Infrared
IR film renders foliage white and skies black. Otherworldly …
Infrared B&W
Black and white infrared. Luminous leaves, near-black skies,…
Orwochrome
East German film stock. Muted, slightly warm, with a charact…
Svema
Soviet-era film stock. Heavy grain and a warm, degraded qual…
Tasma
Soviet black and white stock. Characterful grain and strong …
Single Use
One-time-use camera aesthetic. Slightly soft focus and casua…
Drugstore Print
1-hour photo lab prints. A little too bright, a little too w…
LomoChrome Purple
Greens become purples, blues shift to magentas. Radical colo…
LomoChrome Metro
Desaturated and gritty. Urban photography in muted, washed-o…
Colour Negative
Unscanned colour negative. Orange base, inverted tones, raw …
B&W Negative
The unprinted B&W negative. White shadows, black highlights,…
Slide Mount
35mm slide viewed on a light table. Density, saturation, pro…
Faded Print
A print left in the sun for a decade. Colour has surrendered…
Water Damaged
Film exposed to moisture. Stained, shifted, and strangely be…
Scratched
Emulsion damage from rough handling. Linear artifacts and ch…
Edge Burn
Darkroom dodging and burning at the edges. Heavy vignette, f…
Solarisation
Briefly re-exposed during development. Partial tone reversal…
Reticulation
Temperature shock during processing. Emulsion wrinkles into …
Bleach Bypass
Skipping the bleach step in processing. Retained silver give…
Technicolor
Three-strip Technicolor. The lurid, heightened colours of Ho…
Ektachrome
Kodak's slide film. Slightly cool, very saturated. The look …
High Speed
ISO 3200 equivalent. Heavy grain, reduced saturation, and sh…
Microfilm
Archival microfilm rendering. Maximum contrast, near-zero mi…
Reversal Push
Slide film pushed one stop. Heightened contrast and saturati…
Noctilux Film
Fast glass on grain. Warm tungsten glow with soft detail fal…
XPan Panoramic
The Hasselblad XPan's 65mm panoramic frame. Wide, intimate, …
Medium Format
120 film rendered. Fine tonal gradation and that unmistakabl…
Large Format
4×5 or 8×10 film. Extraordinary detail, zero grain, painterl…
Zone System
Ansel Adams' full tonal range method. Zone I through Zone IX…
Ambrotype Color
Imagining a colour ambrotype. Warm, chemical, Victorian.…
Kinofilm
Eastern European cinema stock. Muted palette with a grainy, …
Truth Tone
No processing, no opinion. Flat and honest.…
Night Hawk
Low light film stock. Pushed detail, suppressed noise, tungs…
Analog Summer
Shooting 200 ISO film on a hot July afternoon. Bright, warm,…
Throwback
Deep throwback tone. Feels like it was scanned from a photo …
Lo-Fi Print
Photocopied, slightly degraded print quality. Guerrilla aest…
Split Tone Warm
Warm highlights, cooler shadows. Classic darkroom split toni…
Split Tone Cool
Cool highlights, warm shadows. The sophisticated reversal of…
Chromogenic B&W
C-41 processed B&W film. Smoother than traditional, slightly…
Ortho-Panchro
Between orthochromatic and panchromatic response. Blues and …
Roll End
The last frames on a roll, partially fogged and slightly pul…
Reclaimed Film
Found film from a charity shop or dumpster. Someone else's p…
Half Frame
Half-frame cameras shoot 72 exposures per roll. Tiny and int…
Subminiature
Minox and Minolta 16. Surveillance aesthetics and extreme gr…
Spy Cam
Cold war documentation aesthetic. Semi-greyscale, clinical, …
Photo Booth
Strip photo booth. Slightly overlit, close-cropped, and genu…
Passport
The worst possible photo of you. Flat, greyed-out, ID-compli…
Carte de Visite
Victorian calling card format. Albumen prints on cardboard. …
Magic Lantern
Victorian glass projection slides. Warm, painterly, slightly…
Panoramic B&W
Wide-angle black and white. Sweeping tonal ranges across the…
Miniature Lab
High street 1-hour mini lab results. Slight yellow cast, sof…
Salon Print
Exhibition-quality matte B&W print. Understated, precise, ga…
Photogram
Objects placed directly on photographic paper. Pure silhouet…
Lumen Print
Botanical objects pressed on silver paper in sunlight. Warm,…
Van Dyke Brown
Iron-based alternative process. Rich chocolate-brown tones.…
Argyrotype
Modern variant of Van Dyke. Deep sepia, warm highlights, arc…
Gum Bichromate
Pigmented gum arabic printing. Soft, hand-worked, painterly …
Anthotype
Plant pigment printing. Pink-purple tones from berries, flow…
Oil Pigment
Oil pigment transfer process. Painterly, directional, contro…
Ziatype
Palladium-lithium printing. Warm blacks and a full tonal sca…
Wet Cyanotype
Traditional cyanotype. Prussian blue tones and contact-print…
Salt Print
Fox Talbot's original paper negative process. Warm, slightly…
Kallitype
Iron-silver process with a range of tones from reddish-brown…
Glass Plate
Orthochromatic glass plate negatives. Sharp, contrasty, no r…
Film Border
Including the frame edge and sprocket holes. All the film, n…
Film Rebate
The frame numbers and DX code visible at the border. Film as…
Scan Artifact
Flatbed scan anomalies. Dust halos, Newton rings, and gentle…
Filmified
The closest a digital image gets to genuinely feeling like f…
Velvet Underground
Grainy, low-budget, and intentionally rough. The look of und…
Hyper8
Super 8 pushed two stops. Grain overwhelms, warmth endures.…
Reversal Cool
Cool-shifted slide film. Blues and cyans taking over where r…
Negative Space
Almost fully inverted. The negative as a starting aesthetic.…
Push to 3200
ISO 3200 in a dark venue. Grain overwhelms. Available light …
Photojournalism
Wire-service black and white. Urgent, unpolished, exactly tr…
Magnum B&W
The Magnum Photos aesthetic. Humanist B&W, rich midtones, ne…
Contact Sheet
Proofed on a contact sheet. All frames, full-frame, unedited…
C-41 Push
Colour negative pushed in C-41. Lifted contrast, slight colo…
E-6 Standard
E-6 slide processing. Dense, vivid, projection-ready.…
Reversal Warm
Warm-shifted slide stock. Ambers and reds taking the frame.…
Holga
Toy camera plastic lens. Heavy vignette, soft focus, and gen…
Diana
Diana camera dreaminess. Soft, leaky, and completely unpredi…
Pinhole
Camera obscura with film. Infinite depth, infinite softness,…
Stereoscopic
Victorian stereograph. Twin-lens depth and a warm tonal qual…
Paper Negative
Talbot's earliest process. Slightly translucent, slightly bl…
Wet Scan
Drum-scanned in oil. Maximum resolution, minimum Newton ring…
Drum Scan
Drum scanner output. Clinical accuracy with film's inherent …
Flatbed Scan
Consumer flatbed at 1200dpi. Good enough, grain forward, hon…
Phone Scan
Scanned with a phone on a lightpad. Imperfect, accessible, c…
Rephotograph
A photograph of a photograph. One generation of quality loss…
Magic Hour Film
Film stock during magic hour. Warm, saturated, unrepeatable.…
Pushed B&W
Black and white pushed for available light. Grain and contra…
Cross Processed B&W
B&W film cross-processed in colour chemistry. Subtle chemica…
Half Moon Bay
Coastal California on 400 speed film. Cool, slightly grey, w…
Canyon Land
Southwest USA on Ektar. Vivid red rock and deep blue sky, no…
Grain B&W
Visible grain as a design element. Texture first, subject se…
Soft B&W
Low contrast B&W. Gentle tones, no drama, pure light.…
Contrasty B&W
High contrast B&W for dramatic subjects. Deep blacks, brilli…
Warm B&W
Warm-toned B&W. Silver gelatin with a slight brown bias.…
Cool B&W
Cool-toned B&W. Selenium-toned silver with a blue-black bias…
Other categories
Mood
153 filters · Filters that set a feeling. Dreamy, melancholic,…
Light & Bright
140 filters · Airy, overexposed, and sun-drenched. For the bri…
Dark & Cinematic
124 filters · Noir, moody, underworld. For photos that carry w…
Color Toned
149 filters · Golden hour, arctic blue, rose pink. Strong colo…
Faded & Muted
113 filters · Minimal, matte, bleached. Pulled back and intent…
High Contrast
112 filters · Bold, graphic, punchy. Maximum visual impact.…